NOWHERE
Red sky. 2019. instalación
Blue sky. 2019. instalación
Black lines. 2019. instalación
Nowhere. 2018. Impresión digital. 150x100cm.
Nowhere. 2018. Pintura. 100x70cm. 6 unidades. Edición única.
Nowhere. 2018. Pintura. 100x70cm. 6 unidades. Edición única.
Nowhere. 2018. Vídeo digital. 1 min.
El proyecto Nowhere redunda en la idea de la capacidad constructora del ser humano de la nada mediante el límite. Algo que no es nada pasa a ser algo tras dibujar unas líneas que acotan límites y crean, en consecuencia, espacios, incluso con referencias humanas que hacen próximo lo lejano y habitable lo desconocido. Además de unas impresiones digitales y pinturas la obra es acompañada por un vídeo que representa como la delimitación del espacio es más importante que el contenido en sí mismo. Vemos el fondo desenfocado del vídeo, sin embargo, cuando empieza a delimitarse el espacio dejamos de ver el fondo para centrarnos en los límites que aparecen y desaparecen por la pantalla, dejando de percibir los cambios que se producen en el fondo.
The Nowhere project results in the idea of the construction capacity of the human being from nothing through the limit. Something that is nothing becomes something after drawing some lines that delimit boundaries and create, consequently, spaces, even with human references that make the unknown and habitable near. In addition to digital prints and paintings the work is accompanied by a video that represents how the delimitation of space is more important than the content itself. We see the unfocused background of the video, however, when space begins to be delimited we stop seeing the background to focus on the limits that appear and disappear on the screen, not perceiving the changes that occur in the background.
The Nowhere project results in the idea of the construction capacity of the human being from nothing through the limit. Something that is nothing becomes something after drawing some lines that delimit boundaries and create, consequently, spaces, even with human references that make the unknown and habitable near. In addition to digital prints and paintings the work is accompanied by a video that represents how the delimitation of space is more important than the content itself. We see the unfocused background of the video, however, when space begins to be delimited we stop seeing the background to focus on the limits that appear and disappear on the screen, not perceiving the changes that occur in the background.